Ableton Chop And Swing Download
The influence of the MPC sampler is hard to measure. It is widely considered to be the instrument of choice for sample slicing and has measurably contributed to shaping entire genres of music, most notably hip-hop, but also drum and bass and to a lesser extent house and techno.
With this in mind we thought it might be fun to make an article on how to recreate MPC slicing techniques in Ableton Live. Live has all the tools you need, so if you've ever wondered if you can get that famous groove 'in the box' then read on.
50+ videos Play all Mix - How To: Getting The MPC Swing In Ableton Live YouTube Ableton Live 9 Getting that 'Dilla' Swing - Duration: 28:04. Jeremy Thomas 124,152 views.
Slicing a beat
Ableton Live, Ableton Push, and Max for Live. Press J to jump to the feed. Press question mark to learn the rest of the keyboard shortcuts. User account menu. Groove Pool Question Close. Posted by 3 minutes ago. Groove Pool Question So apparently there is a 'Swing and Groove' section under 'Packs' and there is nothing. Chop and Swing is an homage to the style that made sampling an art form. The included recordings and professional presets are designed to be cut up and re-combined into fresh new tracks. Included with all editions of Ableton Live. DRUM KIT NOW ON SELLFY: know there are a lot ways to chop samples in Ableton. I use this technique for years now and i like it wa.
First of all, let's start with a drum loop. Here is an example drum loop that I'm going to work with in this tutorial:
A slowish funk loop made in FXpansion's BFD2 which we're going to hip-hop-ify!
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It helps if your original loop is trimmed to exact bars although not 100% necessary. Import the loop into an audio track in either Session View or Arrangement View then right click on the clip and select 'Slice To New MIDI Track'.
Any audio clip can be sliced using Live's slicing tool.
A dialog box will appear with two options. For now, we want to leave these at the defaults - 'Create one slice per transient' and 'Slicing Preset: Built-in'. It is outside of the scope of this article, but I do recommend investigating these two options further as some very powerful options lie within.
For slicing drum loops, the default options in Live's 'Slice to new MIDI track' function are perfect.
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When you click the OK button a series of events will take place:
- a new midi track will be created
- a Drum Rack will be placed on the midi track
- the Drum Rack will be filled with the slices from our loop
- a midi clip will be placed on the track which will play back our slices perfectly
The Drum Rack contains the drum loop, sliced and ready to remix.
Live leaves the entire drum loop in each Drum Rack cell. The slices are created using the cell's start and end points, which makes tweaking the slices very simple because they aren't permanently cropped. The use of Drum Racks also allows for editing of filter settings, amp envelopes, pitch envelopes and so on.
Remixing the drum loop
Now the fun begins! With the slices neatly mapped we can start to re-arrange our loop. If you have a 4x4 16 Pad controller such as an Akai MPD or Korg padKontrol then that can help with the authentic feel of playing back the samples in real-time, but it's by no means necessary. For our audio examples here, I programmed using the mouse.
Get a beat going that you like the sound of. It doesn't have to be perfect at this stage. I'm generalizing wildly here but most hip hop beats use perhaps 6 or 8 slices from their original drum loop. Here's how my drum loop looks after remixing:
The remixed loop. Note just how many slices aren't being used. Simplicity is the key to a good hip-hop groove.
Giving your MIDI that legendary swing
Nailing that MPC swing is down to quantization and groove. We're going to use Live's quantization functions to emulate the MPCs now legendary swing. Firstly, if you haven't already, you'll need to quantize the MIDI part. With the part selected, hit Command-Shift-U or Control-Shift-U to open the Quantize options.
Live's Quantize Options.
You'll probably want to quantize to either 1/16 or 1/32 at a strength of 100%. At this stage your drum loop will probably sound a little robotic, but we're not done yet. The MIDI is quantized but we haven't injected the swing yet.
With the Clip Overview open, head to the Clip View Properties. You'll see the magic word, 'Groove'. Next to it is a hot-swap button.
The Clip View gives us access to the groove browser.
Hit the hot-swap button and the Live browser will open in the Grooves folder. You'll see a folder called 'MPC'. Open it up and pick a groove.
Live includes a library of different groove templates including, rather conveniently, MPC grooves.
Some experimentation might be in order to get the right groove. I've found that the 'MPC 16 Swing' grooves give the most authentic feel, and for our example here, I've used 'MPC 16 Swing-61.agr'. Double click on your chosen swing preset to apply it to the clip.
Play back the clip and you should immediately notice the difference. You may want to hit the hot-swap button again and try different grooves. /download-filter-shekan-ultra-for-android.html. Here is our example loop before and after the groove template is applied:
Pre groove :
Post groove :
TIP: If you select Commit you can then print the swing to the MIDI notes in the clip itself. You'll now be able to see exactly how the swing effects the velocity and timing of the sequence.
I also added a little EQ and compression to our loop. The MPC machines have a tendency to colour the sound a little by enhancing the bottom end and squashing the signal a little. Obviously, what sounds good will depend entirely on your original source material.
Ableton Chop And Swing Downloads
Final tip
A great deal of hip hop music is written entirely in the MPC. As such basslines and non-drum musical content is often given the same slice-remix-quantize-groove treatment as the drums. As a result, the entire song swings in a wonderful way. Here's our drum loop with an added guitar which has also been sliced and quantized with the same groove template we used on the drums:
The start of something groovy!
You can hear that the guitar sits perfectly with the drums due to the heavy groove. Add a bassline, get a favourite MC friend to spit a few bars and we might just have the beginnings of something special.
MPCs are amazing instruments that have inspired generations of musicians and whilst there's no replacement for the real thing, Ableton Live can still recreate that legendary swing and, at least partially, the workflow. So go forth and groove!
Chop And Swing Ableton Download If you're a budding music producer Ableton Live 10 Intro could be the software you're looking for to get you started producing and creating your own music. It includes several MIDI and audio effects (listed and described below) which will enable you to add cool effects to any music you create with your production controllers, MIDI keyboards and other hardware. Ableton Live 10 Intro is compatible with a whole range of MIDI controllers, check them all out and see if yours is on the list!
Please note: For the downloads when we receive your order we will email you your serial number and download instructions, typically within 1-2 hours (during our business hours) and no more than 48 hours after the order is placed. Please be aware that no returns are accepted for any digital software downloads.
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Edit Multipler MIDI Clips
Create drums and bass, or chords and melody in tandem. Work with multiple MIDI clips across multiple tracks within a single viewin both Session and Arrangement. Now you can edit smarter and take better control of the musical relationships in your song.
New Library of Sound
With new collections of Packs, Live 10 has more sounds that are ready for finished music, right out of the box. Theyre set up for tweaking to your needs or taking in different directions. Plus the library has been reorganized to make it easier to find what youre looking for.
Packs
Chop and Swing -
Audio Effects
Auto Filter - Classic analog filter emulation with an envelope follower and LFO.
Auto Pan - LFO-driven panning, tremolo and beat-synchronized chopping effects.
Beat Repeat - Creative beat mangling with controlled or randomized repetitions of an incoming signal.
Chorus - Create thickening or flanging effects with two parallel modulated delays.
Compressor - Dynamics processing to add punch and loudness.
EQ Three - Three-band EQ with kill switches, modeled on classic DJ mixers.
Erosion - Adds digital-sounding artifacts and noise to audio signals.
Flanger - Classic tape phasing sound caused by time-modulated delays.
Gate - Dynamics processing for noise reduction and decay or reverb shaping.
Grain Delay - Granular delay with controlled or randomized pitch.
Limiter - Sets an absolute output limit, suitable for mastering.
Looper - Records, loops and overdubs audio, based on classic hardware looping pedals.
Phaser - Sweeping effects created by notches in the frequency spectrum.
Ping Pong Delay - Filtered delay that jumps between the left and right outputs.
Redux - Bit- and sample-rate reduction for classic lo-fi sounds.
Reverb - Simulates the acoustics of real or imaginary rooms.
Saturator - Waveshaping distortion for adding dirt, punch and warmth.
Simple Delay - Two independent delay lines with feedback and tempo sync.
Tuner - Tuner shows the incoming pitch and its distance from the nearest semitone, helping you quickly get instruments in tune.
Utility - MIDI Effects
Arpeggiator - Takes individual notes from a held chord and plays them as a rhythmical pattern.
Chord - Adds up to six additional pitches to incoming MIDI notes to create chords.
Note Length - Alters the length of incoming MIDI notes or triggers notes via Note Off.
Pitch - Transposes MIDI notes by a specified amount.
Random - Applies chance-based random transposition to MIDI notes.
Scale - Remaps incoming MIDI notes to different outgoing MIDI notes.
Velocity - Randomizes or compresses MIDI note velocity.
MIDI Effect Rack - Combine MIDI effects into a single device, allowing for customized MIDI processing chains with simple Macro controls.